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Charlotte Church - The Dreaming

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Charlotte Church - The Dreaming

Reconnecting with Nature: Charlotte' Church’s Biophilic Retreat offers Healing and Wonder. The Elan Valley, nestled in the heart of mid-Wales, is a hidden gem of serene beauty and wild grandeur. Here, the landscape unfurls in soft, rolling hills, dotted with ancient woodlands and heather-clad slopes, while the deep, verdant valleys are carved by the meandering course of crystal-clear rivers. The air is fresh, tinged with the earthy scent of moss and pine, and the sky, often painted in hues of blue or grey, seems endless above this tranquil expanse.

Here is where The Dreaming is.

The Dreaming, which is a haven and a place of retreat for everyone, is the creation of Charlotte Church. Charlotte. Is known to many as a singer, but maybe fewer know her as a visionary of this beautiful space in Wales. It’s a place where she is manifesting her vision to help people reconnect with nature, both inside and out, where biophilia threads through the hills, waterfalls, valleys and right into the house where you stay.

And it is this house which is the epitome of Biophilic Design. It is designed not only with heart and honesty, but has been a work of love by Charlotte and the designers who helped create this home. The former home of the designer, Laura Ashley has fallen into disrepair when Charlotte came across the land.

Turning her desire to make a difference in the world for people and planet, the land informed her decision to create a retreat centre, transforming the land and the house into a Biophilic haven.

In a secluded corner of the Welsh countryside, internationally renowned singer-songwriter Charlotte has created a sanctuary that blends the power of nature, music, and design. The Dreaming, her newly opened retreat centre, is a testament to her lifelong passion for the restorative qualities of the natural world.

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Biophilic Design and Retail spaces

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Biophilic Design and Retail spaces

In this podcast, Lyn Falk describes herself as a long-term preacher and educator in the sphere of biophilic design.  To her, "Everything is energy, even this brick building I'm in is made from molecules and atoms and energy.” Different materials like glass, wood, and brick vibrate differently, affecting our senses and well-being.  Her designs always include the immediate benefits of incorporating natural elements like plants, natural light, and fresh air into design and as many other elements the brief allows and she emphasises the importance of natural materials like wood, which have not undergone extensive processing and retain their original energy.   

Lyn's design philosophy is rooted in the understanding that we are fundamentally part of nature, not separate from it. "We cannot exist without abiding by the laws of nature," she says. "We've perhaps been forced into built environments that pull that out of the environment, but we're now seeing the results of that." Those results, according to Lyn, are all too apparent in the retail and hospitality sectors, where a focus on maximizing profits has often come at the expense of human needs.

Lyn believes that by reintegrating nature into our built spaces through elements like natural light, plants, and natural materials, we can not only improve the customer experience, but also the wellbeing of employees. "I always say if I had to work in a cubicle, just shoot me," she laughs. “We are living nature, and we've been put in buildings that are static and not necessarily living, breathing buildings.”

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How our Brains respond to Biophilic Design

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How our Brains respond to Biophilic Design

In a world increasingly disconnected from nature, the principles of biophilic design offer a powerful antidote.

Chintamani Bird, an Australian designer committed to biophilic design, shared her insights on how Biophilic Design can heal both people and the planet. She emphasizes that biophilic design has a profound impact on the brain, reducing stress, improving cognitive function, activating the parasympathetic nervous system, and enhancing overall mood and well-being.

As the Journal of Biophilic Design expands to Australia in 2025, this is the first in a series of interviews with leading names in Biophilic Designers from that side of the globe and who champion the transformative potential of this design philosophy.

At the heart of Biophilic Design is the recognition that humans have an innate need to connect with the natural world. "Biophilic design has the opportunity to heal and heal through biodiversity, heal the soil, heal the environment, heal communities," Chintamani emphasized.

Listen and Read on...

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The Spine - Liverpool: How Biophilic Design was used to create the highest WELL Certified Building in the World…

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The Spine - Liverpool: How Biophilic Design was used to create the highest WELL Certified Building in the World…

How does a passion for biophilic design, which stems from a desire to improve an architect and designer’s own health, lead to the design of a major new healthcare building? For Steven Edge, founder of Salvage Sustainable Design, his personal interest in Volatile Organic Compounds (VOCs) expanded into advocacy of Biophilic Design in buildings. We catch up with and discuss his recent project, commissioned by Manchester based architects AHR in 2017, where he acted as biophilic design consultant for their client the Royal College of Physicians’ new £35, million HQ in Liverpool.  The Spine opened in the Spring of 2021 and with 109 out of a possible 110 WELL Credits, the highest of any (over 26,000) WELL certified buildings in the world, its set to become one of the healthiest buildings in the world.

Steven is a biophilic design consultant, and a Senior Fellow of the Higher Education Academy, with over 40 years’ experience in academia and the design and construction industry. He shares his background, starting with work in architecture and interior design, and his growing interest in sustainability and healthy materials.

Talking about biophilic design principles used in The Spine, Steve describes how The Royal College of Physicians wanted to create a building that would make people feel healthier when they left it than when they entered; a brief that was fully met. Because it's a college as well as Office Spaces, they have young surgeons who would also be diagnosing real patients’ problems in this new building.

The design, led by architect Rob Hopkins, drew inspiration from the human body, with elements like the "skin" of the building and the "spine" staircase.

LISTEN TO THE PODCAST... and read on...

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Tall Timber Buildings - are they the Future of our Urban Landscape?

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Tall Timber Buildings - are they the Future of our Urban Landscape?

Andrew Waugh is an architect with a passion for using sustainable materials in construction projects.  His practice, Waugh Thistleton Architects, is a London based architectural practice producing thoughtful and sustainable projects both locally and internationally.

The practice is a world leader in engineered timber and pioneer in the field of tall timber buildings.  Of particular renown is the Black & White building in London that has been short listed for a RIBA London Award in 2024.  The build was described by RIBA journal as 'a major step forward for the development and construction industry’ and is the tallest engineered timber office building in central London. In this podcast, Andrew explains the different types of engineered timber and how some have superior structural strength while others have the mass required to offer superior acoustic performance.  The choice of materials, as he outlines, is determined by usefulness, cost and how they fit into an overall objective of using as few materials as possible. READ on… and LISTEN to the podcast

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NEW proof that Biophilic Design increases the Value (£) of the Workplace!

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NEW proof that Biophilic Design increases the Value (£) of the Workplace!

Did you know for every £1 you spend on even simple Biophilic Design enhancements, you could get £2.70 back? So reveals the new research conducted by Joyce Chan Shoof Architect and Sustainability Lead at the UK Parliament.

Using a scientific approach with control environments, adding biophilic design elements to test the effect and then removing them to further test the effect of their absence, Joyce explains the rigorous approach she took over a seven-year period to arrive at her conclusion.

This is a phenomenal breakthrough for those of us working in Biophilic Design.

You can read the whole report here: https://plplabs.com/reap-what-you-sow-2/

And come and see Joyce present the research in person at Workplace Trends in London on the 18th April 2024 https://workplacetrends.co/events/wtrs24-prog/

We often have struggled trying to articulate the economic benefits of Biophilic Design, this research can be used to support arguments why businesses need it in the workplace.

Joyce has also developed a framework to help designers work out what we need and the impact it will have. Using existing frameworks, like the Flourish model (as advocated by Professor Derek Clements Croome) and others, she has woven a great new model we can all hang our designs on…. READ ON and LISTEN TO THE PODCAST

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BIID Interior Design Award Winners - From Chapel Barn to Riverside

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BIID Interior Design Award Winners - From Chapel Barn to Riverside

The British Institute of Interior Design (BIID) is the only professional institute for interior designers in the UK. Our growing membership represents both the commercial and residential sectors, from heritage to cutting edge. In addition to rigorous entry requirements which assess training, experience and professionalism, they require our members to continue their professional development throughout their career to ensure their continued expertise in design process, practice and regulatory matters.

For those wishing to find an interior designer or to confirm the credibility of a potential interior designer they offer a directory of our Registered Interior Designers.

Each year BIID celebrates the very best of British interior design through its awards program.  The BIID Interior Design Awards showcase the best interior design projects completed across the UK.

Winners are awarded across 7 regional categories ranging from the largest commercial project to the smallest residential dwelling.  In addition, there are two landmark prices – the Interior of the Year Prize, which is awarded to the best interior design project in the UK and the Anna Whitehead Prize, which is awarded to the best achievement in sustainable interior design. 9 awards will be given out in total, along with acknowledgements of Highly Commended projects.

In this podcast, we are joined by two previous award winners and one of the judges of this year’s awards to discuss the value of the awards programme. Throughout the discussion it is clear that just adding sustainable materials to a design doesn’t make the overall design sustainable.  Consideration has to be given to materials being appropriate for the design; the design can’t simply include “box-ticking” elements.

The participants are all clear that a sustainable design doesn’t involve a compromise on aesthetics.  Indeed, taking a biophilic approach to design can enhance the look and feel of a space and contribute to a deeper, more meaningful aesthetic that resonates with the principles of balance with nature.

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“Bloom” - When Workspace Design meets Biophilia

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“Bloom” - When Workspace Design meets Biophilia

We speak with Marco Gastoldi, interior designer and Associate at Gensler, who in collaboration with some amazing partners have created the theme of the Workspace Design Show in London this year. The Theme is “Bloom”, and we speak in this podcast about the growing awareness of Biophilic Design, how it has environmental and psychological benefits, that it is based on science, neuroscience and also the many different ways of integrating nature in the built environment.

Marco celebrates the fact that Biophilic Design is important for us, that we have a primordial innate connection to nature, an instinct. This connection produces hormones that support feelings of belonging and collaboration which are crucial to performance and connection. Humans are biological organisms and Biophilic Design supports the mind body system in terms of health and wellbeing.

“Deep down we are aware that our connection to nature is vital. We forget that recreation is recreating and restoring ourselves. We spend 90% of our time indoors and there is so much data and evidence to prove that Biophilic Design is good in the workplace. For instance the Human Spaces report that proves Biophilic Design can improve productivity by 6% and creativity by 15%. We know that connection with nature, improves individual self-esteem and mood, the presence of water for example creates a relaxing and calming effect.”

Marco also talks about Ecological Balance Theory which refers to how we prefer nature resembling colours like green and blue, but not all natural environments are green, so it’s also important to tailor to local colour pallet and ecosystems – so it’s place based.

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Der Verwondering - Biophilic Primary School - Stephen Kellert Biophilic Design Award Winner

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Der Verwondering - Biophilic Primary School - Stephen Kellert Biophilic Design Award Winner

How do we design schools so not only children are inspired, teachers want to come to work, places are healthy, the building sustainable, the landscape regenerative, and supports biodiversity? The answer is Biophilic Design. De Verwondering is a primary school in the Netherlands, designed by architecture firm ORGA. The design won the 2023 Stephen R. Kellert Biophilic Design Award from Living Future Europe in 2023, and justifiably so and is featured in the Education issue of The Journal of Biophilic Design.

The name of school means ‘sense of wonder’ or 'amazement', referring to the sensation of curiosity in children that is triggered when they come into contact with the natural world. Any parallels with ‘The Sense of Wonder’, Rachel Carson’s timeless publication from 1960, are coincidental, but both very much speak to the same sentiment.

In this podcast we speak with Gijs Bruggink, Chef de bureau of ORGA and discuss the importance of using Natural building materials, and how we need to push boundaries for sustainable and regenerative buildings.

The difference the Biophilic Design of the school has made to the teachers, staff, and children is phenomenal, and it also shows when an organization wants to do something better with nature deeply embedded into it right from the start of the project. The difference it can make to the business, the reduction of staff and student absenteeism, the improved recruitment, overall wellbeing, air quality, acoustics and so much more.

 “It is an interesting time for designers. There are a lot of problems which need solutions nowadays with climate change and biophilic design just has a lot of answers. Not only is it beautiful but it's interesting from the health perspective and it's beneficial from a business perspective because if your users of the building are able to perform better to be more productive and they feel better, it's good for your business. There's a lot of research and science supporting these these ideas and these benefits,” says Gijs.

One of the wonderful things about the Der Verwondering design is that they have created a really healthy learning environment for children and the people working there to help them get a good education. There are also all sorts of connections to nature in the building which builds affinity with nature, and children can discover things on their own, they have a natural adventurous inquisitive nature.

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The Walls are Alive! The Beauty of Greening our Cities - inside and out.

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The Walls are Alive! The Beauty of Greening our Cities - inside and out.

From designing a detailed picture of the New York Skyline in moss to how we need to design with biophilia to help mitigate climate change this great podcast with Lily Turner explores how we are just starting to realise the very real benefits that Living walls can bring to our cities, and our work and healing spaces.

 Lily Turner is an environmentalist, biophilic designer and living wall specialist. She's also the director of green walls at Urban Strong, the design-build maintenance firm offering services for green building technology solutions. In 2013, she co-founded Urban Blooms a non-profit to bring large-scale, publicly accessible living walls to dense urban environments. It was after Hurricane Katrina she was rebuilding homes, restoring landscapes, repairing drip irrigation systems and fields and got to do a lot of great community projects which inspired her to launch Urban Blooms, which aims to bring greenery back into the built environment to benefit people in the community.

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The Wave - Connecting us to our Blue Mind

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The Wave - Connecting us to our Blue Mind

Tying in with Issue 6, our Blue Mind edition of The Journal of Biophilic Design we speak with Nick Hounsfield, Founder and Chief Visionary Officer at The Wave in Bristol. The Wave is an inland Surfing destination.

After working in the healthcare sector and realizing that not only one of the key aspects for people was that they were lonely but that they also were missing a connection to nature, Nick wanted to create something at scale that would have a positive impact. He also wanted to reach out to people who didn’t have access to a private healthcare system.

“How can we democratise this? How can we make it more accessible for more people?” Nick explains how he went on to create The Wave. He had a very clear purpose and mandate, wanting to appeal to everyone, be accessible in all seasons and ensuring he addressed barriers to accessing to green and blue space. “We have to break down those barriers through design, through great landscaping, a good business model, and also make sure that we're not destroying the planet and local ecology either.”

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Skogluft – Forest Air. Reconnecting people to nature

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Skogluft – Forest Air. Reconnecting people to nature

We speak with Morten Kvam, CEO of Skogluft. Not only does it sound beautiful and uplifting, in Norwegian it means “Forest Air”. We talk about how plants are essential to have in the built environment and how the main founder of Skogluft Bjorn Virumdal was a mechanical engineer and realised that biological models were needed to explain the effects of nature indoors. NASA had conducted some research on how astronauts would be affected by the lack of nature. After speaking with them to explore their findings Bjorn then conducted further scientific research to prove how different plants and different light affected people in different working environments.

His research looked at three main aspects: the feeling of being awake, headaches and respiratory problems and he took readings before and after the intervention.

The results showed the positive effects of having nature indoors. Tiredness reduced by 40%, headaches reduced by 35% and concentration problems reduced by 16%. Morten tells us that they have over 7.2kg worth of evidence that nature indoors is good for us!

We also talk about the importance of light. The positive effect of light reflecting on nature. “We are programmed to stay in nature, we have always been surrounded by plants and light together,” Morten says. “It makes people react more positively when we see light reflected on plants.”

In his magic brush of biophilia, he says we should be looking to install nature everywhere, and “just like toilets are compulsory in buildings so should nature be compulsory indoors everywhere.” I think I’ll be sharing that last thought many many times. It’s straightforward and simple to grasp - nature should indeed be compulsory in every building.

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Plants to the Rescue! #PlantsatWorkWeek2023 LIVE in Oxford!

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Plants to the Rescue! #PlantsatWorkWeek2023 LIVE in Oxford!

Live footage! We are really excited to join Plants@Work in Oxford to interview Ian Drummond the concept designer behind this year’s Plants @Work celebration! “Plants to the Rescue”.

An ambulance makes an appearance at the Oxford Business Park. Everyone is keen to know who’s in need of medical help without appearing too nosey. Watching from afar one person noted something wasn’t quite right – plants kept appearing, peeping out of the back of the ambulance and round the corners of the doors. Where was the patient? And what had happened?

Read on and watch!

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How to design to incite a feeling? Workplace Design 101

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How to design to incite a feeling? Workplace Design 101

How do you design to incite a feeling? We spend five days of our week in the workplace, and it impacts our psychology massively. When we walk into a space, how do we design to excite that sense of awe. For Becky Turner, workplace psychologist for Claremont Group Interiors, they have conducted research to examine how we replicate that feeling of “oooh” in the workplace.

For many it is the sense of sense of connection that drives people to the office, what else will encourage the workforce the consider the cost of the commute whether it’s financial or time? Claremont researched office-based workers to find out what types of things invite people back to the office. With an overall low occupancy at 30% businesses are feeling the pinch when it comes to workforce presence.

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Pioneer Nature Method in Architecture

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Pioneer Nature Method in Architecture

How can we work with the landscape more as architects and designers to not only create beautiful spaces but ones that also have a positive impact on our and nature’s wellbeing? We speak with Stephen Melvin, of Atelier Architects who desribes himself as a “landscape facilitator”. How he looks at how the landscape itself is structured and presents itself and then see how to weave the design into the natural space. He has developed the “Pioneer Nature Method” which he tells us about in this podcast.

Steve highlights the need to respect that underlying process of nature that will outlive us, how we need to build in and with the landscape and really consider how our buildings can live with nature. By talking through images shown in the video accompanying this podcast (viewable on YouTube and also on the Journal of Biophilic Design website here), he shows us a project as a case study, so we can follow his thought processes from concept through to render, looking at different aspects from materials, light, air to how people will use the space and also how it represents the client’s aims too.

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Creating Positive Spaces with Biophilic Design

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Creating Positive Spaces with Biophilic Design

How do we reduce distraction at work? How do we entice our staff back into the office? Why do they need to come in? How can zoning help? What are non-rhythmic sensory stimuli? How can biomorphic shapes help us do our best work? What is the business case for Biophilic Design? These and many other questions are answered in this podcast with Oliver Heath and Tanja Künstler. Oliver is founder of Oliver Heath design, and co-author of a new seminal guide from Interface “Creating Positive Spaces”. Tanja is concept designer for Interface. Between them they share some essential insights from the guide and how, by employing a Biophilic Design and human-centred approach to refreshing our office, we can create a workplace where we we will do our best work.

We have an opportunity right now to rethink how we design the workplace as we bring people back to the office. How we cater for different sensory thresholds of our workforce is a key element in designing better.

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Psychoacoustics - an introduction; the importance of Biophilic Design for our ears and brains

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Psychoacoustics - an introduction; the importance of Biophilic Design for our ears and brains

What is psychoacoustics and why should we care about it? Paige Hodsman, concept developer for Saint-Gobain Ecophon explains how the psychology of how we perceive sound is essential for our health and wellbeing. She explains how humans react to sound stimulus directly relates to our performance at work for instance. This helps us understand how people respond to their environment and how we can design better spaces. Did you know that biophilic improvements to a space has a positive impact on our brains through our hearing too? The vast experience of humans have been outside, in fact we are particularly suited to being in a natural environment, in fact neuronal activity is greater when we hear natural sounds.

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Third Age Biophilic Design

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Third Age Biophilic Design

How should care homes be designed? Should the places we spend the end of our lives be clinical and bland, or should they be places that are beautiful, inspiring and actually are something we look forward to going to. As Lori says in this interview, "you don't stop living just because you're in a care home, in fact you should start living better".

Lori Pinkerton-Rolet is a force of good, she is director of Park Grove Design, which focuses on creating comfortable spaces for our third age. In fact she also has a podcast, which I recommend you look up, ThirdAge.design. In our podcast together here, we talk about the origin of the Care Home is still stuck in its original format, that of a "hospital", and she shares with us some thought-leader suggestions on how we can design better spaces to create homes that are better..

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The Power of Sound

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The Power of Sound

Julian Treasure is a leading Ted Speaker and founder of The Sound Agency. We catch up with him to talk about how sound affects us on four different levels: physiologically, psychologically, cognitively and behaviourally. He discusses dynamic biophilic soundscapes and how we can use nature in improving acoustics and how we should be using good sonic design and aural architecture to make the places we work in, learn in and heal in, better.

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Biophilic Design in the Ancient World

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Biophilic Design in the Ancient World

Yes, you read that correctly! Over 2000 years ago the Romans were designing homes with outdoor spaces and were also creating virtual nature walls. They had ambitions to create healthier cleaner air, wanted improved scents and less noise pollution specifically to improve health and wellbeing. I speak with Dr Patty Baker, about her research on identifying the connection between Roman conceptions of “pure air” and physical and mental health in Pompeiian gardens, and especially on the mutli-sensory approach the Romans took to ancient medicine…

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