natural light

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Interview Special - Workspace Design Show 2026 London

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Interview Special - Workspace Design Show 2026 London

At The Workspace Design Show at the Business Design Centre in London this year, I had the privilege of chairing a dynamic panel featuring industry leaders Nicola Tomkins Head of Design for Major Projects at Overbury,  Lidia Johansen Associate Environmental Consultant at chapmanbdsp and Paulo Ribeiro Head of Interior Design at  Aecom. It was a lively and dynamic discussion to a full house at the show. We looked at how we could reframe Biophilia, moving from Aesthetic to a Performance System. We explored how through collaboration, sourcing and configuring the brief early we can accelerate biophilic design specification.

 

After the panel I took my camera and mic and interviews other biophilic design experts visiting the show to ask them to share their insights on the show and biophilic design, emphasising its critical role in modern architecture and interior spaces.

 

Biophilic Design reconnects us back to nature, to our roots, to what makes us truly human. If you've ever wondered why natural elements in our spaces feel so vital, or how design can heal and inspire us, here’s what you’ll discover: how biophilic design transforms spaces, the science proving its benefits, and the urgent need to rethink our environments for mental, physical, and planetary health.

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Landscape and Play with Biophilic Design

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Landscape and Play with Biophilic Design

If two people could combat our growing urban disconnection, it is Adam White and Andrée Davies of Davies White Limited. I met them at our first Biophilic Design Conference at the Barbican, and immediately warmed to their infectious passion for better landscape design. Design which helps reimagine spaces from playgrounds to hospitals through a beautiful and playful biophilic lens, pulling on our emotional responses to nature.

They construct, if you will, beautiful narratives of human-nature coexistence. Instead of viewing landscapes as static backdrops, they help encourage us to understand them as dynamic, living systems that actively shape human experience and ecological health.

I think it’s the creativity I love most about their work. The balance of science, planning and artistry. Their approach is rooted in a deep understanding of ecological systems and human psychology. With projects ranging from micro-forest playgrounds to hospital gardens, each is designed to restore our biophilic fundamental relationship with the natural world.  Take their recent West London micro-forest playground project. By densely planting trees and creating intricate ecological landscapes, they're not merely designing a play area, but constructing a living classroom. The project embodies their core belief: that understanding nature begins with immersive, tactile experiences…. READ ON and Watch the interview…

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Biophilic Design: Reconnecting Humanity with Nature Through Sustainable Architecture - Nomadic Resorts

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Biophilic Design: Reconnecting Humanity with Nature Through Sustainable Architecture - Nomadic Resorts

We recently published Issue 11 of the Journal of Biophilic Design which had a focus on Hotels and leisure and to celebrate this, we are thrilled to have Louis Thompson, Founder of Nomadic Resorts with us on this podcast. 

Nomadic Resorts were one of the finalists in the 2023 Stephen Kellert Biophilic Design award. We were delighted to partner with Living Future Europe to co-publish the book of winners and shortlisted entries of the 2023 Stephen Kellert Biophilic Design Award.

In a world increasingly dominated by concrete and steel, one man is on a mission to rekindle our innate connection with the natural world. Louis, founder of Nomadic Resorts, is pioneering a revolutionary approach to architecture that seamlessly blends human habitats with the surrounding environment.

Louis' journey began not in the halls of design schools, but in the remote corners of the Indian Ocean. After studying European politics, he found himself drawn to the hospitality industry, honing his skills at the luxury resort operator Six Senses. It was here that he discovered his true calling – to create spaces that not only cater to the needs of guests, but also nurture their well-being and foster a deeper appreciation for the natural world.

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Charlotte Church - The Dreaming

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Charlotte Church - The Dreaming

Reconnecting with Nature: Charlotte' Church’s Biophilic Retreat offers Healing and Wonder. The Elan Valley, nestled in the heart of mid-Wales, is a hidden gem of serene beauty and wild grandeur. Here, the landscape unfurls in soft, rolling hills, dotted with ancient woodlands and heather-clad slopes, while the deep, verdant valleys are carved by the meandering course of crystal-clear rivers. The air is fresh, tinged with the earthy scent of moss and pine, and the sky, often painted in hues of blue or grey, seems endless above this tranquil expanse.

Here is where The Dreaming is.

The Dreaming, which is a haven and a place of retreat for everyone, is the creation of Charlotte Church. Charlotte. Is known to many as a singer, but maybe fewer know her as a visionary of this beautiful space in Wales. It’s a place where she is manifesting her vision to help people reconnect with nature, both inside and out, where biophilia threads through the hills, waterfalls, valleys and right into the house where you stay.

And it is this house which is the epitome of Biophilic Design. It is designed not only with heart and honesty, but has been a work of love by Charlotte and the designers who helped create this home. The former home of the designer, Laura Ashley has fallen into disrepair when Charlotte came across the land.

Turning her desire to make a difference in the world for people and planet, the land informed her decision to create a retreat centre, transforming the land and the house into a Biophilic haven.

In a secluded corner of the Welsh countryside, internationally renowned singer-songwriter Charlotte has created a sanctuary that blends the power of nature, music, and design. The Dreaming, her newly opened retreat centre, is a testament to her lifelong passion for the restorative qualities of the natural world.

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The Spine - Liverpool: How Biophilic Design was used to create the highest WELL Certified Building in the World…

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The Spine - Liverpool: How Biophilic Design was used to create the highest WELL Certified Building in the World…

How does a passion for biophilic design, which stems from a desire to improve an architect and designer’s own health, lead to the design of a major new healthcare building? For Steven Edge, founder of Salvage Sustainable Design, his personal interest in Volatile Organic Compounds (VOCs) expanded into advocacy of Biophilic Design in buildings. We catch up with and discuss his recent project, commissioned by Manchester based architects AHR in 2017, where he acted as biophilic design consultant for their client the Royal College of Physicians’ new £35, million HQ in Liverpool.  The Spine opened in the Spring of 2021 and with 109 out of a possible 110 WELL Credits, the highest of any (over 26,000) WELL certified buildings in the world, its set to become one of the healthiest buildings in the world.

Steven is a biophilic design consultant, and a Senior Fellow of the Higher Education Academy, with over 40 years’ experience in academia and the design and construction industry. He shares his background, starting with work in architecture and interior design, and his growing interest in sustainability and healthy materials.

Talking about biophilic design principles used in The Spine, Steve describes how The Royal College of Physicians wanted to create a building that would make people feel healthier when they left it than when they entered; a brief that was fully met. Because it's a college as well as Office Spaces, they have young surgeons who would also be diagnosing real patients’ problems in this new building.

The design, led by architect Rob Hopkins, drew inspiration from the human body, with elements like the "skin" of the building and the "spine" staircase.

LISTEN TO THE PODCAST... and read on...

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Right Light, Right Place, Right Time

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Right Light, Right Place, Right Time

Steve Tonkin is the Dark Sky Advisor to Cranborne Chase National Landscape, in Wiltshire. Cranborne Chase is a designate Area of Outstanding Natural Beauty that, since 2019, has been recognised as an International Dark Sky Reserve.

Steve can pinpoint 4 October 1957 as the first became aware of dark skies. His family were, at the time, living 8 miles outside Bulawayo, Zimbabwe and his father took him outside to see if they could see Sputnik which had been launched the previous day. It was his first time looking up at a pristine dark sky and it triggered a life-long passion for astronomy which has made him aware of the effects of light pollution, and he has been raising the issue with anyone who will listen for the last 30 years.

After a first career as a telecommunications engineer, he did a BSc in Human Environmental Studies, then postgraduate work in technology policy, before training as a teacher. He taught physics, maths and astronomy in a variety of settings for 35 years, before retiring from teaching to concentrate on astronomy outreach activities. He has written several books on practical astronomy, has a monthly column in BBC Sky at Night Magazine, and is a regular speaker on astronomical topics.

Starting with a programme he made for BBC Radio Bristol in the 1980s, Steve has long been an advocate of reducing light pollution. He supported the Cranborne Chase’s International Dark Sky Reserve bid as a volunteer, taking sky quality readings and supporting the stargazing evenings by giving talks and showing people the night sky. His primary task as Dark Skies Advisor is to continue and consolidate the good work that has already been done and strengthen the Cranborne Chase’s standing as an International Dark Sky Reserve.

Light pollution is a global issue. The pollution itself is known to affect human health and wildlife behaviour and that is before considering the wasted energy involved in sending light upwards instead of downwards to where it is required. To take a Biophilic approach to the design of lighting is to reduce light pollution with direct and indirect benefits to nature… READ ON and LISTEN to the PODCAST…

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The Fluid Beauty of Light - Lighting the Workplace

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The Fluid Beauty of Light - Lighting the Workplace

We are diurnal species, we were born under natural light, we have an ingrained ability to imagine and contextualise natural light in our heads. A Biophilic approach to lighting pulls on those cues inwards into the built environment. We spend hours and hours inside, and in the workplace we need spaces that will empower us to do our best work, to flourish, to keep us healthy and as a simple baseline, to also enjoy coming to work. Gary Thornton is speaking at the Workplace Trends “Evolving Ways of Working” conference on 18 October 2022 in London and we catch up with him beforehand to discuss just how should we be applying Biophilic lighting to our Workplaces.

A lot of things in the workplace are static, but what can shift during the day is lighting. It can influence our behaviour, the look and feel of a space, more so than any other discipline. That is one reason why lighting is so important, but is also one of the unsung heroes of a space. Historically, we have lit spaces for paper-based work, instead of considering a great deal of our work is screen-based, so there is a lot of overlighting. In this podcast, Gary outlines a lighting schema that considers first how people use the space, how to enhance not only the horizontal space (desks etc) but also the verticals (the walls which can look drab and dull if not lit properly). He suggests lighting spaces which create an experience, a destination to enhance the wellbeing and also positive perception and feeling of a space.

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Pioneer Nature Method in Architecture

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Pioneer Nature Method in Architecture

How can we work with the landscape more as architects and designers to not only create beautiful spaces but ones that also have a positive impact on our and nature’s wellbeing? We speak with Stephen Melvin, of Atelier Architects who desribes himself as a “landscape facilitator”. How he looks at how the landscape itself is structured and presents itself and then see how to weave the design into the natural space. He has developed the “Pioneer Nature Method” which he tells us about in this podcast.

Steve highlights the need to respect that underlying process of nature that will outlive us, how we need to build in and with the landscape and really consider how our buildings can live with nature. By talking through images shown in the video accompanying this podcast (viewable on YouTube and also on the Journal of Biophilic Design website here), he shows us a project as a case study, so we can follow his thought processes from concept through to render, looking at different aspects from materials, light, air to how people will use the space and also how it represents the client’s aims too.

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Let there be Light... and Circadian Rhythms

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Let there be Light... and Circadian Rhythms

How much do we love to be outside on a fresh bright day, clear blue sky, gentle breeze on our skin, fresh air in our lungs? Our whole body seems rejuvenated and reborn. Well, it's not just all in the mind, it is a physical reaction too. Living in harmony with nature and natural rhythms as we can, keeps us happy and healthy. Eloise Sok-Paupardin, occupant experience and sustainability lead for SageGlass, discusses how important natural light is, how views are essential to our wellbeing as well as regulation of temperature, and more.

When we mess up the natural rhythms of the day by using too much of the same brightness and colour light for hours and hours a day, we mess up our internal body clock.

Eloise demonstrates the new Sageglass technology, an intelligent glass that reacts to sunlight, and which can be manually activated to reduce glare, heat through the glass, vary the amount of sunlight, etc, while still maintaining views outside.

This a really interesting video and podcast, as Eloise stresses the need for everyone's "right to light" and how it is important to create beautiful and good design, but never at the price of the planet…

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