Imagine furniture, cities and buildings that tell stories rooted in local geology, where the materials and forms echo the unique landscapes of their region. Imagine a design language spoken with local stones and traditions, elevating cultural identity.  Beyond its primal beauty and ancient aura, STONE is a material that embodies sustainability, resilience, and storytelling. If you’ve ever danced barefoot on marble floors or admired the stone facades adorning historic cities, you’ve felt that deep, almost breathing connection to the earth’s history.

But how often do we truly understand this miracle of nature and see its potential to transform our built environment? Today, we dive into the heart of biophilic design and explore how embracing natural stone could upscale our approach to architecture, sustainability, and beauty with Matt Robb, Marketing and Media Manager for the Stone Federation of Great Britain. I think you’ll enjoy this interview where we celebrate our relationship with one of the earth’s oldest, most remarkable gifts.

Matt shares with us how the story starts deep beneath our feet, formed over millions of years by geological forces, sedimentary layers, thermal metamorphosis, and the slow crystallization of minerals. From limestone and marble to granite and sandstone, each type tells a story of time, place, and process. There's no such thing as a bad stone, only badly used stone. When we understand the qualities of each material we can allow them to inform your design, not constrain it. Think Right Stone, Right Place.

Architects like Amin Taha are leading this movement utilising full-range stone blocks, drastically reducing carbon footprints, and proving that sustainability and innovative design are not mutually exclusive. The key? Embrace the narrative of each stone, respect its natural essence, and allow it to shape your architecture—timeless, responsible, and inherently beautiful. When you learn how stone is formed which Matt shares brilliantly  where it comes from, and what it can do, your designs become richer, more authentic, and more sustainable. READ ON and LISTEN TO THE PODCAST..

At The Workspace Design Show at the Business Design Centre in London this year, I had the privilege of chairing a dynamic panel featuring industry leaders Nicola Tomkins Head of Design for Major Projects at Overbury,  Lidia Johansen Associate Environmental Consultant at chapmanbdsp and Paulo Ribeiro Head of Interior Design at  Aecom. It was a lively and dynamic discussion to a full house at the show. We looked at how we could reframe Biophilia, moving from Aesthetic to a Performance System. We explored how through collaboration, sourcing and configuring the brief early we can accelerate biophilic design specification.

After the panel I took my camera and mic and interviews other biophilic design experts visiting the show to ask them to share their insights on the show and biophilic design, emphasising its critical role in modern architecture and interior spaces.

Biophilic Design reconnects us back to nature, to our roots, to what makes us truly human. If you've ever wondered why natural elements in our spaces feel so vital, or how design can heal and inspire us, here’s what you’ll discover: how biophilic design transforms spaces, the science proving its benefits, and the urgent need to rethink our environments for mental, physical, and planetary health.

Efforts to tackle the climate and nature crisis often focus on policy, science and activism. But according to Will Hayler, founder and CEO of The Blue Earth Summit, real transformation will only happen when entrepreneurs and investors are fully part of the conversation.

Speaking about the philosophy behind the Blue Earth Summit, Will argues that innovation and enterprise are essential if environmental solutions are to move beyond ideas and into the real economy. “If you're really serious about solving problems, you need entrepreneurs in the room,” he says.

We spend about 90% of our lives indoors, yet our cities, offices and homes are rarely designed with the biological reality of that fact in mind. That disconnect between humans and the natural systems we evolved within is becoming harder to ignore. Biophilic Design is a growing movement in architecture and planning, which argues that bringing nature back into the built environment is not a luxury or aesthetic flourish but a public-health, economic and social necessity.

Alexandra Bowen, founder of the Biophilic Design Community on LinkedIn, puts it bluntly: “Our minds and bodies evolved over thousands of years to thrive in nature. If we’re indoors almost all the time, we have to be deliberate about reconnecting with it.”

Her argument echoes a growing body of research suggesting that the benefits are measurable. Studies cited by designers show that access to daylight and views of nature can improve cognitive performance and memory recall by around 15%, while hospitals with natural light have reported 41% shorter patient stays. In schools, improved ventilation has been linked to 14% better maths scores and significantly reduced sickness absence.

Polish craft and innovation is going to take centre stage at Collect 2026 which opens in London on 25 February this year 2026. Nature connection, craft and design is taking centre stage.  Biophilic Design helps people reconnect with nature. I am also a maker and artist (I sculpt, weave, sketch, etc), and for me, creating things with natural materials gives me a direct connection to nature and our planet. In this podcast we speak with the curator of this year’s Collect Corinne Julius and one of the Polish artists featured during the show. We explore the significance of biophilic design, the metamorphosis of Polish craft, and the role of materiality in art. The conversation also touches on the challenges of the craft industry in the context of climate change and the importance of tactile experiences in our lives. Can slow craft be the antidote to the disconnection and environmental crisis we face today?

Emergency departments are some of the most punishing workplaces in healthcare. Clinicians move in seconds from breaking catastrophic news to families, to resuscitating a dying patient, to reassuring a parent whose child has a simple fever. We rightly talk a lot about patient experience. We talk far less about what these relentless environments do to the people who work in them.

New research published in Issue 18 of the Journal of Biophilic Design, proves that after just one minute of viewing nature imagery, clinicians felt less anxious, less gloomy and calmer and at ease, in a way that is extremely unlikely to be explained by random fluctuation.

If a single minute in front of one picture can move the needle, what might a genuinely biophilic emergency department achieve? READ on and listen to the interview.

We have a climate crisis, housing shortages, and increasing urban disconnection, we need a pioneering radical approach to development that puts nature and human flourishing at its core. Human Nature, led by Joanna Yarrow, are creating living, breathing ecosystems that challenge how we normally go about urban design.

"We've boxed ourselves into a corner by having the starting point that we are separate from nature," Joanna explains. Places should not just exist alongside nature, they should be fundamentally integrated with it.

Human Nature has identified three critical place typologies that could transform how we live. These are urban neighbourhoods, rural clusters, and new settlements. Their flagship project, the Phoenix in Lewes, East Sussex, demonstrates what's possible when we reimagine development.

This special edition of the Journal of Biophilic Design podcast is a podcast recorded by our friends at Workplace Geeks, Ian Ellison and Chris Moriaty.

Host Ian Ellison sets out to explore a big question: Is biophilic design simply good design, or something we need to intentionally spotlight because of its unique importance to people, place and planet?

In this deep dive, Ian speaks with a host of experts and thought leaders — including Dr Nigel Oseland, Dr Sally Augustin, Oliver Heath, Prof Harriet Shortt, Mark Catchlove, Dr Vanessa Champion, Matthew Burgess, Chloe Bullock, and Prof Geoff Proffitt — to unpack the science, theory, and lived experience behind biophilic design.

"The way we've conceived cities for the past 100 years has been far too extractive, far too one-dimensional. We need cities that are more productive, multi-dimensional, and adaptable." Ludo Pittie leads WSP’s 75-strong UK landscape and urban design team, guiding  the company’s landscape strategy and design thinking, and is also driving a global WSP exploration of ‘the Future Ready Landscape’ which strives to anticipate future needs, and embed adaptable design practices to create sustainable places that are ready for today and tomorrow.

Urban spaces should be biophilic interconnected systems that prioritise human and ecological wellbeing. This goes beyond traditional sustainability, we need regenerative design, an approach that doesn't just minimise harm, but actively restores and enhances natural systems.

The 15-minute city concept reimagines urban living. "It's about providing essential social needs locally," Ludo explains. "Access to schools, food production, healthcare – all within a 15-minute radius. It's about creating communities that can truly thrive."

READ ON… and watch the interview…

SUGi creates pocket forests that breathe life into urban spaces. Founded in London and now operating in over 50 cities worldwide, SUGi uses the innovative Miyawaki method to transform small urban areas into thriving, biodiverse ecosystems.

In a space the size of a tennis court, they can plant approximately 600 trees that grow rapidly, creating a mature forest in just a fraction of the time nature would typically require. Adrian Wong, UK Forest Lead, explains, "If nature did it naturally, it usually takes 150 to 500 years for a forest to mature. We supercharge that process."

At the heart of SUGi's success is soil restoration. "Without a living, healthy soil, we can't do what we're doing," Adrian emphasises. They meticulously prepare urban sites by aerating the ground, introducing beneficial organisms like mycelium and worms, and creating a nutrient-rich environment that supports rapid growth and biodiversity. For me, as Adrian was telling us this, I felt this emphasis on creating a healthy environment for life to thrive, is similar to what we are trying to do with Biophilic Design inside our homes, hospitals, workplaces, creating healthy environments that enable all life to flourish.

The impact is remarkable. Even in seemingly inhospitable urban locations, these micro forests attract diverse wildlife. At their South Bank forest, they've recorded an incredible range of species, including blue tits, green finches, and surprisingly, even tawny owls and peregrine falcons.

Watch the video…