Circularity in Architecture - Designing for a Zero-Waste Future

Circularity in Architecture - Designing for a Zero-Waste Future

The built environment consumes enormous quantities of resources and produces equally enormous amounts of waste. Yet circularity is still often reduced to recycling percentages or the use of products containing recycled material. The reality is a lot more complicated.


A material can be recycled while losing much of its quality. A product can appear environmentally responsible while containing substances that are difficult to identify. A building can be saved from demolition without responding meaningfully to the people or community around it.

Circularity asks us to look more carefully at what already exists, such as the structure of a building, the composition of a product, the history of a material and the future uses that a design leaves open.

For biophilic design, a meaningful relationship with nature cannot begin and end with plants, timber finishes or views of greenery. It must also include the systems behind a space. We must ask ourselves where materials come from, what they contain, how long they can remain useful and what will happen when the needs of the building change.

Biophilic Design - the Missing Link in Delivering the Future Homes and Buildings Standards

Biophilic Design - the Missing Link in Delivering the Future Homes and Buildings Standards

From March 2027, England's new Future Homes and Buildings Standards will fundamentally change the way we design new homes. Among the most significant amendments is the introduction of a new functional requirement (L3), requiring on-site renewable electricity generation for new dwellings and residential buildings. At the same time, Part L of the Building Regulations shifts its emphasis beyond simply conserving energy to also reducing greenhouse gas emissions.

For architects, designers, planners and developers, the conversation has understandably centred around technologies such as solar photovoltaics, heat pumps and smart controls. Yet there is a danger that renewable systems become viewed as solutions in isolation. Technology performs best when it works with nature rather than against it—and that is precisely where Biophilic Design has an important role to play.

Biophilic Design is often associated with planting, biodiversity and occupant wellbeing, but at its core it is about understanding natural systems. Before selecting renewable technologies, we should first ask: how does this site already work? Where does the sun travel? How do prevailing winds move across the landscape? Which existing trees provide seasonal shade? How can natural daylight reduce the need for artificial lighting? These are biophilic questions, but they are also questions of building performance.

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Women in Biophilia

Women in Biophilia

The Women in Biophilic Design panel on 22 July 2026 brought together five women working across design, education, publishing, environmental psychology, forest therapy and community building.

Although their routes into the field were very different, each had come to biophilic design through a personal experience of healing, stress, nature connection or the feeling that conventional design practice was missing something fundamental.

The conversation went beyond the usual discussion of plants, materials and visual references to nature. It became a broader discussion about what biophilic design can bring back into practice, including more care, better listening, stronger collaboration, a deeper sense of place and greater responsibility for the people and generations who come after us.

What stayed with me most was the sense of hope running through the discussion. The panellists did not deny the scale of the environmental and social challenges we face. Instead, they suggested that many of the qualities needed to respond to them already exist within the field and within the communities forming around it.

READ ON…

Biophilic Design could help keep our cities – and our tempers – cool

Biophilic Design could help keep our cities – and our tempers – cool

If you've found yourself feeling more irritable during the recent heatwaves, you're not imagining it. A recent Guardian article explored the growing body of research showing that high temperatures affect far more than our physical comfort. Heat places the body under stress, disrupting sleep, increasing fatigue and dehydration, making us less patient, less focused and more prone to conflict. Studies have even linked hotter days with increases in aggression, road rage and mental health emergencies.

This is precisely why Biophilic Design needs to become central to the way we design our towns and cities. As temperatures continue to rise, we cannot rely solely on air conditioning and mechanical cooling. We need places that work with nature to create healthier, cooler and more resilient environments. READ ON…

The Hidden Story Behind This Year’s Stirling Prize: Biophilic Design

The Hidden Story Behind This Year’s Stirling Prize: Biophilic Design

Every year the Stirling Prize celebrates architectural excellence. This year, however, another story emerges. Look beyond the headlines and a pattern begins to reveal itself. Britain’s best new buildings are increasingly embracing many of the principles of biophilic design, whether they call it that or not.

Beneath the discussion of materials, detailing and craftsmanship lies a common thread that is increasingly shaping Britain’s best architecture: a deeper connection between people, place and nature.

Whether through the warmth of timber, generous natural light, restorative views, biodiverse landscapes or carefully crafted communal spaces, many of this year’s shortlisted buildings demonstrate principles long championed by the Journal of Biophilic Design. They remind us that architecture is at its best when it supports both environmental resilience and human wellbeing.

    Natural materials – timber, brick with tactile qualities, exposed structure and honest materiality.

  • Prospect and refuge – long views balanced with sheltered places to gather.

  • Natural light – daylight used as a design material rather than simply illumination.

  • Connection with living systems – landscapes, rivers, planting and seasonal change.

  • Community – courtyards, shared gardens, public squares and informal meeting places.

  • Awe and delight – spaces that inspire curiosity, wonder and emotional connection.

When the Room Stops Listening - Why Breaking the Echo Chamber Matters for Biophilic Design

When the Room Stops Listening - Why Breaking the Echo Chamber Matters for Biophilic Design

There is a conversation happening in workplaces right now that most leaders are not fully part of, and it is not just happening in board meetings or leadership away-days. It is happening in the gaps: in the quiet frustration of the team member whose idea was talked over, in the instinct of the specialist whose insight was shelved, in the resignation of the person who stopped raising their hand because nobody seemed to be listening. It is also costing organisations far more than they realise.

On 1 October 2026, an important event is taking place at Gensler's London studio that speaks directly to this gap. Breaking the Echo Chamber: Real Voices, Real Change, hosted by Jennifer L. Bryan and building on the acclaimed Hearing Women in the Workplace research by Paige Hodsman and Dr Nigel Oseland, promises to move the conversation beyond familiar territory. This is not simply a discussion about gender equity. It is a rigorous examination of whose voices carry weight in organisations, whose insights translate into action and what leaders may be missing as a result. For those of us working at the intersection of human wellbeing and the built environment, the relevance could not be more direct.

READ ON… and BOOK TICKETS TO JOIN US.

We are launching in Australia!

We are launching in Australia!

Journal of Biophilic Design Launches in Australia with Studio Chintamani at Futurebuild Sydney 2026 with their first formal international territory partnership. Sydney, Australia | 11–13 June 2026

Journal of Biophilic Design is officially launching in Australia through an exclusive partnership with Sydney-based Studio Chintamani, with the launch taking place at Futurebuild Sydney from 11–13 June 2026. Founded in the United Kingdom by Dr Vanessa Champion, the Journal of Biophilic Design has become a leading global voice exploring the relationship between nature, people and the built environment. The expansion into Australia marks a significant milestone in the Journal’s international growth and reflects the increasing global demand for healthier, more nature-connected approaches to architecture, interiors, urbanism and placemaking.

The Australian launch builds on the Journal’s steady and growing presence across Europe and internationally, alongside a rapidly expanding global audience through its podcast, which now reaches more than 40,000 monthly listeners worldwide. The Journal has also developed media partnerships with major international trade shows and design events and was recently shortlisted for a BSME Award for its Art Team, recognising the strength and quality of its editorial and visual storytelling.

As the platform continues to grow, the Journal of Biophilic Design is expanding its international network across research, publishing, marketing, commercial partnerships and business development, helping connect academia, industry and practice through a shared focus on nature-positive design.

Mind Body Space Global Symposium

Mind Body Space Global Symposium

𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲 𝗶𝘀 𝗻𝗲𝘃𝗲𝗿 𝗻𝗲𝘂𝘁𝗿𝗮𝗹 - Every rhythm of light, texture, and form leaves a deep impression on body and mind. Spaces can nourish us or disturb us, create a sense of connection or enforce separation.

When a place resonates, we feel it in our bodies: in the warmth of natural materials, the power of harmonious proportions, the deep calm of beautiful views. Thanks to emerging scientific disciplines such as environmental psychology and neuroaesthetics, we now better understand how spaces influence our perception, emotions, and behaviour, deep into the subconscious.

Join our friends at Mind-Body-Space Global Symposium, an international symposium in Amsterdam from 6 to 10 July on evidence-based and holistic design. Over five days, leading designers, researchers, and thinkers come together to move beyond the boundaries of their disciplines and define the human habitats of tomorrow.

Material Matters Copenhagen returns to #3daysofdesign on 10–12 June. 

Material Matters Copenhagen returns to #3daysofdesign on 10–12 June. 

Something we're very much looking forward to this week.

Material Matters Copenhagen returns to #3daysofdesign on 10–12 June. 

Nineteen makers, manufacturers and researchers, from Hong Kong to Slovakia, India to Ukraine, gather at Ukraine House, Gammel Dok to explore material intelligence and asl what materials can do, and what they should no longer be asked to do.

For the biophilic approach there's plenty to get excited about. AHEC's immersive Wood for the Trees traces hardwood from forest to finished product across a 140sqm abstract woodland. Aifungi continues its investigation into mycelium-based furniture and lighting. Malai grows bacterial cellulose from coconut processing waste, and Kateha brings 270 years of rug-making heritage rooted in natural fibre.

Elsewhere, rice-husk waste, recycled glass, bio-based adhesives, olive pits and Nordic wood fibre all make an appearance. Material intelligence in the most grounded, tangible sense.

Free to attend. Register via the 3daysofdesign app.

Ukraine House, Gammel Dok, Strandgade 27B, Copenhagen

10–12 June | 10.00–18.00 daily

More at materialmatters.design/copenhagen-fair

The Natural Biophilic Solution to Health Housing and Climate - Response to the Kings Speech May 2026

The Natural Biophilic Solution to Health Housing and Climate - Response to the Kings Speech May 2026

The King’s Speech this week placed housing, clean water, energy independence, infrastructure and climate resilience firmly at the centre of the national conversation. For those of us working in and advocating for Biophilic Design, this moment matters deeply, because the ambitions outlined by government cannot truly succeed without a more fundamental shift in how we design places for people and planet.

READ ON…

We debut at the Salone Milan April 2026 - come to our talk on 22 April

We debut at the Salone Milan April 2026 - come to our talk on 22 April

Journal of Biophilic Design makes debut appearance to Host Biophilic Workplace-Focused Panel at Fuorisalone 2026, Milan

Milan, Italy — April 2026 — As Milan Design Week transforms the city into a global hub of creativity and innovation, the Journal of Biophilic Design will make its debut appearance at Fuorisalone with a clear objective: to bridge the gap between design ideas and real-world application.

Hosted within a curated exhibition space developed in collaboration with ANAB and Terra Migaki Design, the Journal’s presence will spotlight practical, implementable approaches to biophilic design. The installation will take place at Pollice Illuminazione, a long-established destination for lighting design in Milan.

Amid a week known for conceptual exploration, this collaboration focuses on tangible solutions — showcasing bio-based materials, circular design thinking, and lighting strategies that can be specified, sourced, and delivered within today’s built environment.

Panel Event: Biophilic Design in Workplaces
📅 22 April 2026
🕕 18:00
📍 Pollice Illuminazione, Via Guido D’Arezzo 11, Milan ITALY

The Journal will host a panel discussion examining the role of biophilic design in shaping healthier, more resilient workplaces. Speakers include: READ ON…

Resilience, Reuse and Regenerative design - FUTUREBUILD

Resilience, Reuse and Regenerative design - FUTUREBUILD

We are also convening a Biophilic Design Masterclass on Placemaking with two of the best brains in Biophilic Design, Oliver Heath and Bill Browning. Plus a panel discussion on Biophilic Design and Resilience with Kirsty Wilman of Rebalance Earth, Luke Engleback of EcoUrbanist and Joanna Yarrow of Human Nature.

Finding Harmony: a King’s Vision

Finding Harmony: a King’s Vision

Designers are always searching for ideas that endure — ideas rooted not only in aesthetics, but in how humans live, heal and belong within the natural world. That is why viewing Finding Harmony: A King's Vision matters now. The film brings together decades of thinking from King Charles III about our relationship with nature, communities and the built environment — themes that sit at the heart of biophilic design.

For architects, landscape architects and urban designers, the documentary offers more than a portrait of a monarch’s environmental advocacy. It is, in many ways, a historical record of ideas that anticipated today’s conversations around regenerative design, nature-based solutions and the social value of green space. In a moment when the profession is grappling with climate, wellbeing and how cities must evolve, the film provides context — and a reminder that these principles have deep roots.

Designers should watch it not simply as a documentary, but as a source of hope and inspiration. It shows that reconnecting people, place and nature is not an abstract theory but a lived practice — one that can shape farms, neighbourhoods, prisons, schools and entire communities. At a time when the future can feel uncertain, the film argues that harmony with nature is still possible, and that design has a crucial role in achieving it.

Sustainability Talks - From biophilia to net zero

Sustainability Talks - From biophilia to net zero

Will we see you at Workspace Design Show 25 - 26 February 2026?

  • Sustainability Talks – From biophilia to net zero

  • “Reconnecting design and nature: Purpose, people, and the challenges of biophilia” chaired by Vanessa Champion (The Journal of Biophilic Design), featuring Nicola Tomkins (Overbury), Lidia Johansen (chapmanbdsp) and Paulo Ribeiro (AECOM).

Best in Workplace Design Recognised in 2026 Workspace Design Awards Shortlist

Best in Workplace Design Recognised in 2026 Workspace Design Awards Shortlist

The 2026 edition of Workspace Design Show has officially revealed the shortlisted projects for its newly launched Workspace Design Awards, recognising outstanding achievements across workplace design, innovation, sustainability, experience and adaptability.The shortlisted projects showcase the breadth and depth of talent shaping today’s workplaces across the UK and Europe,from smart offices and large-scale corporate headquarters to flexible co-working environments and future-focused concept designs.Winners from all categories will be announced liveat the Workspace Design Awards Ceremony & Networking Party, taking place on Wednesday 25 February 2026 from 5:30pm to 7:30pm. The evening will bring together designers, architects, occupiers, and industry leaders to celebrate the most creative projects in workplace design. The networking party is also proudly sponsored by Mute, who is the main Headline Sponsor of the awards.

Biophilia can battle Blue Monday!

Biophilia can battle Blue Monday!

As the third Monday in January earns its reputation as the year’s most challenging day, Biophilic Design offers a much needed antidote. Rooted in our innate connection to nature, biophilic principles remind us that even small encounters with living systems—particularly plants—can positively influence mood, reduce stress and restore emotional balance. By introducing calming blue-green foliage and flowering plants into our homes and workplaces, we can soften the impact of “Blue Monday,” using colour, texture and life itself to create spaces that nurture wellbeing. In this spirit, renowned interior landscape designer, houseplant stylist and author of At Home With Plants, Ian Drummond shares his favourite “blue plants” to lift the spirits and bring a smile when it’s needed most.

Chief People Priorities for 2026 - A Biophilic Response.

Chief People Priorities for 2026 - A Biophilic Response.

At its core, Biophilic Design is not about plants or aesthetics. It is about designing the conditions in which humans function best, drawing on our innate biological responses to light, nature, materiality, rhythm, refuge, connection and sensory balance. In other words, it provides a tangible way to turn cultural intent into lived experience.

Culture as an operating system is expressed not only through policies and leadership behaviours, but through the environments people inhabit every day. Spatial hierarchy, access to daylight, acoustic control, choice and autonomy, visibility, and opportunities for connection all send powerful signals about what is valued. A workplace that offers psychological safety, dignity, and agency does not rely solely on behavioural KPIs to reinforce culture — it embeds it into the system itself.

Similarly, as leaders become the primary interface of culture, the environments they operate within either support or undermine their ability to lead well. Biophilic workplaces reduce cognitive load, stress and fatigue, enabling better judgement, emotional regulation and decision-making. This matters when leaders are being asked to hold complexity, have difficult conversations and support mental health alongside performance. Capability does not exist in isolation from context.

CPOs’ deliberate reframing of wellbeing as performance infrastructure also aligns strongly with biophilic principles. Decades of research link exposure to natural light, views of nature, sensory variability and restorative spaces with improved concentration, faster recovery from stress, reduced absenteeism and stronger engagement. This is not a trade-off between care and results; it is a performance strategy grounded in human biology. READ on

Futurebuild 2026

Futurebuild 2026

The Journal of Biophilic Design is proud to be one of 60+ industry-leading organisations, including UK Green Building Council (UKGBC), RIBA, ASBP - Alliance for Sustainable Building Products, and UK Architects Declare, supporting Futurebuild 2026. These influential bodies and associations play an integral role in the Futurebuild Knowledge Programme, delivering 133 hours of CPD-accredited content over 3 days across two conferences and multiple seminar stages.

Futurebuild is the platform where content is curated by the industry for the industry. Immerse yourself in three days of ideas, inspiration, topical discussions and debates on:

Improving design & safety
Tackling rising costs
Meeting ambitious sustainability goals

Find out more and register free CLICK HERE

A not quite fatal world

A not quite fatal world

Who would want to live in a world that is not quite fatal?

So said ecologist Paul Shepherd in 1958, and quoted by Rachel Carson in “Silent Spring”. 

The Biophilic Design Conference this year has a theme of Policy, Place, Planet – Biophilic Design for a regenerative future. It has this theme for a reason. 

We are living in a ticking time bomb. Our planet is heating up, our climates are changing all over the world, our food security is at risk, our physical health is challenged not just by lifestyle and town planning but also by air and sound pollution inside and outside of the home and workplace, our crops are sprayed, our bees are dying, we are losing our pollinators, our skies are quieter, our living world is struggling to breathe and we are the culprits.

When I first learnt about Biophilic Design, it seemed to me a concept which if applied globally and on all facets of society we could go some way to reverse the ills we have inflicted onto ourselves and our planet. 

READ ON… 

A Night of Nature - September 6, 2025 

A Night of Nature - September 6, 2025 

The RSPB will host a unique live event, ‘A Night of Nature’, at London’s Troxy on September 6, 2025. An audiovisual celebration of the natural world which is open to all, the one-off experience will blend cinema with the immediacy of a concert, thanks to live music synched to stunning footage of natural habitats and species, performed by multi-million selling vocal group (and X Factor finalists) G4 and the Vesper String Quartet.