Journal of biophilic design - articles, research, podcasts, videos on biophilia
Connecting to the environment makes people feel more relaxed in their homes and workplaces. Incorporating nature indoors has become increasingly popular after the pandemic, we are seeing more people decorating their homes with plants and natural materials. The Biophilic Design concept can create a unique look and is excellent for the environment.
Here are some ways biophilic design creates a sustainable space.
We catch up with Glen Cousquer who was leading part of the COP26 Nature Pilgrimage. He shares with us some images and a poetic thought on the feelings, the view of the SSI, the haunting fiddler on the beach. “The earth holds our footsteps even as the tide patiently wipes them clean. Sadly, our footsteps lay increasingly heavy on the earth and we can no longer rely on the time and the tide to wipe them clean.
Time and tide wait for no man as they say … especially when man is leadenfooted.”
From Edible bus-stops to pocket parks and Roof gardens on the tops of London Banks, journalist Hartley Milner takes us on a trip around the UK and London highlighting the difference nature has made to spaces, and how clever and heart-felt use of Nature in Design has transformed lives.
Read on for not only some interesting statistics but also there is a compelling interview with the architect of the beautiful and inspiring Maggie’s Cancer Care centre in Southampton.
There were two articles in the FT at the weekend (5/6 December 2020) which caught my eye. One of them was about British farming written by a farmer calling for a bit of sense. With the fall-out that is going to rain down on us from leaving the EU, one of the industries that will feel the pinch will be British farming. For years now farmers have received subsidies and been flooding the land and soils with artificial aids such as fertiliser and chemical sprays in order to stress the land to produce more. …
You may have heard of the “sick building syndrome” where the actual building we live and work in is making us sick. There are a mass of chemicals that are hidden in the paint we use, the cushions and chairs we sit on, the clothes we wear, the carpets we walk on… it can cause everything from coughs, allergies, skin problems, dry eyes, right down to cancers and inflammatory diseases of the respiratory tract.
Sound may not be one of the first things we think of in biophilic design but what most people want from the auditory environment is intrinsically linked to nature.
Our hearing is often key in our perception of the world around us; it helps us to interact, communicate and be aware of what is happening and impending change. It is designed for the outside, a world without walls and other hard reflective surfaces that focus sound and allow it to build up to levels where it affects our concentration, increases levels of anxiety, negatively affects performance and interrupts our sleep….
By 2050, the United Nations states that 75% of the world’s projected 9 billion population will live in cities. So, is it so surprising that as a species we have become disconnected from nature…and forests, in particular, where we have lived for most of our life on earth? We are also, increasingly an indoor species. The World Health Organisation names stress as the health epidemic of the 21st century. Since its inception in Japanese culture in the 1980’s, Shinrin-yoku, meaning ‘Forest bath’, has proven to affect health and wellbeing beneficially in a myriad of ways. Forest Bathing/Shinrin-yoku - a Japanese practice reconnecting people with nature, alleviating effects of stress and burnout, developed in the 1980s during tech boom. Research into the practice has continued since then, and expanded worldwide…
Many things have changed for humans since their early days as a species—how excited do you think early Homo sapiens would have been by heating, air conditioning and weather tight structures to install them in, for example?
Not everything is different, however. We still have fundamentally the same brains as the first creatures we would recognize as “one of us.” That means we process and respond to the basic sensory inputs we see, hear, feel, taste, and smell today as our earliest human ancestors did….
